1. Innistrad is filled with lots of things and places already. Rather than mix it with Ravenloft, it may be best to look into it's myriad histories:

  2. When you say ‘Nameless angel,’ do you mean Liesa?

  3. That was the original assumption in the story but no, the Nameless Angel was another angel entirely that had gone insane due to Emrakul's influence and that they bound in the village chapel or basement of it.

  4. I use Ivara for all of my open world resource collecting needs

  5. Pretty sure that Queen is what you get when you mix Art and STEM.

  6. H3, eating a local fruit: yeah? Well I’m the first to eat something from this planet! HA!! collapses, as it turns out the fruit contains a very potent neurotoxin

  7. Even before they added the extra stock you can pick up in mission, you can net 15 stock per week if you buy the shard every week. (Source: been doing Kahl missions every week since they launched.)

  8. It is in the sense that I can buy a card and it won’t rotate out of the format or fall out of the meta.

  9. I feel like this is a spectrum from Jaegers to the Imperium of Man

  10. Tchaikovsky is a gem. I’d also recommend his Final Architecture series.

  11. Baruuk Prime has carried me through a lot of high level content

  12. Our daughter’s name is River. Not BECAUSE of Firefly, it’s just a bonus.

  13. Does it have anything to do with Dr. Who?

  14. "Human Imperialism is justified because we had an alien celebrity once"

  15. Was it the Sentient Ship mission? It should definitely be removed from that one. On the others, it's a free 15 stock once you have some practice, no matter what the other objectives are.

  16. The sentient ship one is definitely doable in less than 15 minutes

  17. I’m just glad that the glass didn’t break

  18. This is How You Lose the Time War was great, and it uses the many worlds hypothesis. The stakes are high, both for the time agents involved, and for the multiverse.

  19. It's a premise that easily devolves into incoherent chaos. If both sides can travel freely through time, it becomes hard to rule anything out, and it becomes even harder to keep track of the consequences. Cause and effect become unlinked, so you need to be able to convey to the reader what's going on and why.

  20. I’m pretty sure that ‘One Day This Will All Be Yours’ by Adrian Tchaikovsky delves a bit into the aftermath of a war where the unlinking of cause and effect happened.

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